Jour D'été (2026)
Upon first listening, you could be forgiven for assuming that Jour D'été is an obscure, failed pop record from the mid-1960s that
pop
Davos (2015)
Computer Magic's work on Davos transcends SynthPop or ElectroPop, or even Indie-Electro. Whilst the instrumentation is that of a Lo-Fi SynthPop
En La Tormenta (2024)
It's their trademark: they know how to move from sunny rhythms to social commentary. With the same flow they use to navigate reggae,
IRM (2009)
IRM is Gainsbourg's journey inside of her mind set to the backdrop of Beck's delectably diverse and equally funky beats.
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Aerial Ballet (1968)
Aerial Ballet is full of pain hidden in plain sight. As Nilsson sings in the album's thesis statement on "The Wailing of