As an emcee, Pan Am’s clear abstract flows offer an assortment of content, and with ideas mixed in his rhymes like “Death Row” and “En Vogue” together in “Rigatoni,” it’s clever. This, over a beat that’s almost mechanical in its delivery, with an assortment of strings, horns, and bass wrapped around it. While on “Hungry Hippo,” its funky bassline slinks around Pan Am’s straight, direct and cold vocal play, which seems more like an ode to that girl named Medina. It’s fine and you know why? Because the track is a beast! It allows listeners to forget their worries and fall into that trance-inducing head nod.
Source: Ghettoblaster
